The expanding portfolio of Public Radio Exchange, the Internet-based distribution platform, has prompted some public radio insiders to question whether NPR’s Public Radio Satellite System can adapt to stiffer competition for business from content producers. The latest program to move to PRX is the widely carried This American Life, whose producers announced May 28 that they would take over distribution of the show and rely on PRX to deliver weekly editions to stations. TAL will split from distributor Public Radio International July 1, ending a 17-year relationship. That announcement came on the heels of a May 7 decision by Chicago’s WFMT to move its 200 weekly hours of music and spoken-word programming to PRX. Other producers have told Steve Robinson, WFMT executive v.p., that they may be interested in following suit.
The production company Radio Diaries, whose stories often appear on This American Life and NPR’s newsmagazines, is aiming to raise $40,000 in a Kickstarter campaign to fund new pieces and an expansion of its podcast. The campaign began May 28 and runs until June 27. As of noon June 3, the campaign has raised $19,280. Radio Diaries has turned to Kickstarter to diversify its fundraising methods, said Executive Producer Joe Richman. “We, like a lot of other small independent production companies are scrappy, and we’ve made it work with whatever money comes through the door and always will,” he said.
The producers of public radio’s This American Life will take over distribution of their show starting July 1, using Public Radio Exchange to deliver the program to stations. TAL and Public Radio International, its distributor of 17 years, announced in March that they would part ways effective July 1. Under the agreement announced Wednesday, Chicago Public Media and Ira Glass will handle distribution and underwriting, while Marge Ostroushko will be responsible for marketing and station relations. Ostroushko handled those duties before PRI picked up the show in 1997. “We’re excited and proud to be partners now with PRX,” Glass said in a statement.
Letson, the performance artist and playwright behind SOTRU, begins 2014 with a new production partner, renewed funding and ambitions to take his show into weekly production.
The demise of NPR’s Talk of the Nation ended Ken Rudin’s regular appearances on many public radio stations, but the “Political Junkie” is aiming to reengage his devoted audience with a weekly radio segment that launched yesterday. The 8-minute Political Junkie segments, distributed by Public Radio Exchange, reprise many of the features Rudin wove into his TOTN appearances. The first installment features Rudin and NPR Senior Political Editor Ron Elving discussing the aftermath of the government shutdown. Rudin also plans to offer Political Junkie in extended form as a podcast. Since TOTN wound down in June and Rudin departed from NPR, thousands of listeners emailed the commentator to ask for his return to the Web and to radio.
The San Francisco–based startup accelerator, funded by KQED and the Knight Foundation and owned in part by Public Radio Exchange, has announced a new round of seven early-stage companies joining Matter.
Public Radio Exchange is adding a new weekly show to its development slate — Reveal, a joint production with the Center for Investigative Reporting. The hourlong series will be hosted by Al Letson of State of the Re:Union and feature investigative stories generated by CIR. The partners plan to develop relationships with other investigative organizations and news stations to bring in additional reporting. Reveal is scheduled to hit the air next year, so PRX and CIR are producing a pilot to be distributed to stations next week. Details about the reporting to be presented in the first show are under wraps, but CIR and PRX officials described it as an original national investigative piece dealing with veterans’ issues.
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”
NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”
In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.
Latitude News, an online news outlet exploring world events and their reverberating effects in local U.S. communities and vice versa, surpassed the fundraising goal of its Kickstarter campaign to launch a new podcast. As of Feb. 14, 307 backers had pledged $46,200 towards a goal of $44,250. The newsroom currently produces an eponymous monthly 15-minute podcast distributed by Public Radio Exchange; it now will expand its output by introducing “The Local Global Mashup Show,” a weekly 30-minute podcast. Latitude News will use its Kickstarter contributions to fund the first three months of the program and hire a business development staffer to develop a paid subscription model for the podcast. Latitude News, which is headquartered in Cambridge, Mass., also plans to explore offering “The Local Global Mashup Show” for public radio broadcast, founder and editor Maria Balinska told Current.
With Generation Putin: Young People and Change in the Former Soviet Union, a new hourlong public radio special, Public Radio Exchange and producers from Seattle-based Common Language Project take listeners to a places in Eastern Europe that they might never visit otherwise.
Four years after the first iteration of PRX’s Public Radio Player iPhone launched, a complete, “ground-up rewrite” is ready, with features including a prominent “donate” button and the ability to download content for listening off-network. PRX announced the features of the newest version of its app during a conference call with stations Jan. 10. Director of Technical Projects Matt MacDonald said the overhaul’s goal was to continue to make the app one that individual stations without resources to build their own would continue to view as theirs. The Public Radio Player app, which is only available for Apple iOS devices, offers up thousands of stations streams, programs and podcasts from PRX, NPR, PRI and APM.
After two-plus years of planning and prototyping a shared hub providing easy access to digital content from across public media, partners in the Public Media Platform will begin building the new technical system next month.
