Crowdfunding website Kickstarter announced Thursday that independent film projects on its site had passed the $100 million mark in pledges since its 2009 launch, with $42.6 million of that total pledged to documentaries — the largest share of any film … Continue reading →
Producers of the documentary As Goes Janesville found themselves, quite by accident, in the midst of three national news stories during filming. Continue reading →
The Arts on Radio and Television fund of the National Endowment for the Arts, a source of millions of programming dollars for public media, is distributing matching grants to a wider range of recipients this year — from a smaller … Continue reading →
Localore, a $2 million innovation initiative pairing independent producers with public stations, on Jan. 30 unveiled 10 projects designed to help reimagine how local pubcasters serve and engage their communities. The winning proposals include several crowdsourced reporting projects, an interactive … Continue reading →
A movement against hate crimes called Not In Our Town, spawned by a 1995 documentary on PBS, has come to represent many things. To the executive producer, NIOT is a way to help viewers counter incidents of bigotry and violence. … Continue reading →
Independent journalists in public media are having an increasingly tough time earning a living as producers for public TV and radio, according to a survey commissioned by the Association of Independents in Radio and the Independent Television Service. Over the … Continue reading →
The departure of the entire four-person faculty from Maine’s small but influential Salt Institute for Documentary Studies has caused concern among the school’s alumni, many of whom found their way into public radio via Salt’s unique classes in audio production. … Continue reading →
John Kaplan was scared. He’d been diagnosed with not one but two types of lymphoma, and chemotherapy had begun to ravage his once-thick head of hair. So he did what came naturally when confronted with human drama: Kaplan, a photographer … Continue reading →
In the beginning, there was CBS Reports. Then came Bill Moyers. It was 1976. Executive Producer Howard Stringer wanted to show the world that the hour documentary was still viable despite the gaggle of magazine-style news shows pushing their way … Continue reading →