APTS chief sees renewed battle over CPB aid

APTS President Patrick Butler is warning public broadcasters of continued threats to their federal funding this summer as Congress takes up work on appropriations for the next federal budget. During an appearance at the Public Media Business Association conference this morning, Butler recalled a private meeting with a key House Republican from Georgia who opposes federal aid to CPB. Rep. Jack Kingston, chair of the House appropriations subcommittee with oversight over CPB, told Butler that he plans to zero-out CPB funding. “He told me point blank, in January, that he was going to do everything he could to eliminate our funding,” Butler said during a PMBA breakfast meeting at the Washington Court Hotel in Washington, D.C. Public TV’s top lobbyist expects Kingston to introduce the bill in June. “I’m sure there will be a big zero in his bill for public broadcasting,” he said.

Appropriation cuts lead to layoffs and furloughs throughout CPB

CPB has laid off 12 employees and eliminated three vacant positions in a downsizing prompted by the federal budget sequestration and other cuts to its appropriation. The job cuts, announced today, extend across all departments and range from administrative to vice president levels, said Michael Levy, executive v.p. of corporate and public affairs. Taken together, the downsizing reduces CPB’s workforce by 11 percent. CPB will also trim its payroll by requiring all senior vice presidents and executive officers to take one-week furloughs before Sept. 30, the end of CPB’s fiscal year.

NEA announces 2013 media arts grants; OVEE and AIR projects among recipients

The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”

Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.

CPB accepts policy revamp proposal from radio CSG panel; first changes since 2005

The CPB Board on April 22 unanimously approved changes to its Radio Community Service Grants program for fiscal 2014, including phased-in hikes in nonfederal financial support (NFFS) requirements for most stations, pubradio’s first transparency requirements, qualification changes for minority-status stations and $9 million in financial incentives over five years for mergers and collaborations. Current CSG policies, which govern distribution of some $90.6 million in radio grants for fiscal 2013, were last updated in 2005. Since then, “shifts in technology, audience behavior, demographics, competition, and the economy have dramatically changed the landscape for public media,” said Oregon Public Broadcasting President Steve Bass, a CSG panel member who spoke at the CPB meeting. “That environmental reality was the backdrop for our discussions and influenced our thinking about the CSG program policy that would best serve the interests of stations and better align our system for the future.”

A 20-member CSG panel, more than half of which was made up of general managers from stations, has been crafting the update over the last 14 months. Bruce Theriault, senior v.p. of radio, told the board that more than 200 stations gave feedback on the document.

New talking point on Capitol Hill: PubTV’s role in education

Public television’s strongest case for preserving tax-based support for stations and CPB centers on informing political leaders about the full range of public-service work that stations deliver to local communities, particularly in the field of education, according to the field’s lead advocates in Washington, D.C.

West Virginia’s Bob Wise receives Thought Leader Award

Former West Virginia Governor Bob Wise was honored for his work supporting public media’s educational service. Wise is president of the Alliance for Excellent Education, a partner in CPB’s ongoing American Graduate project to reduce the drop-out rate among high school students. He also chairs the National Board for Professional Teaching Standards. Gov. Wise spent 10 years in the U.S. House before serving as West Virginia’s governor from 2001 to 2005. The CPB Thought Leader Award honors U.S. leaders who help pubcasters serve the public in the areas of education, journalism and the arts.

Documentary Free Angela premieres in theaters April 5

Free Angela and All Political Prisoners, a documentary developed with pubcasting support, will have its theatrical release April 5, presented by BET Networks. The 2012 film marks the 40th anniversary of social activist Angela Davis’s acquittal on charges of murder, kidnapping and conspiracy in connection with a botched kidnapping attempt. Film funders included Independent Television Service, BET and CPB. Director Shola Lynch previously worked as a visual researcher and associate producer for Ken Burns and Florentine Films before her 2004 debut documentary, Chisolm ’72: Unbought and Unbossed. Free Angela is distributed by Codeblack Films, a division of Lionsgate, and will open in select AMC theatres in Los Angeles, New York, Chicago, Washington, D.C., Oakland, Philadelphia and Atlanta.

Upcoming American Graduate specials tackle lax schools, juvenile justice system

A pair of documentaries to be released for public TV broadcasts next month focus on two of the most difficult aspects of the nation’s dropout crisis — under-performing schools and at-risk youth. 180 Days: A Year Inside an American High School will be presented in conjunction with Tavis Smiley Reports: Education Under Arrest as part of CPB’s American Graduate initiative. Both premiere in late March, and were previewed during a Jan. 30 webinar from the National Center for Media Engagement. For 180 Days, “our goal was to share the perspective of students, how they view the things they have to go through,” Alexis Phyllis Aggrey, production manager of National Black Programming Consortia, told webinar participants.

StoryCorps launches newest project – Military Voices Initiative

For the next year StoryCorps, the public radio group collecting and presenting life stories told between family members and friends, will undertake a new initiative to record oral histories of veterans and active-duty members of the armed forces serving in  Iraq and Afghanistan. The Military Voices Initiative, or MVI, plans interviews of more than 2,000 people, enough to produce more than 700 stories. Funded by CPB and the Boeing Company, MVI is StoryCorps’ eighth initiative focused on a specific ethnic community or news event.  The Griot initiative, for example, collected stories of African-American family life. Some of interviews conducted for MVI will be broadcast on NPR’s Weekend Edition while the entire collection will be housed at the American Folklife Center at the Library of Congress. CPB and StoryCorps, a nonprofit founded by indie radio producer David Isay, officially launched the initiative Dec.

Sweetening the deal for partnering stations

NEW ORLEANS — CPB is considering a proposal to allocate $3 million annually over six years to support collaboration among public radio stations, with the amount to be drawn from Community Service Grant incentive funds. The money would support upwards of 20 collaborations among 80 or so stations, each of which would receive an additional $70,000 to $90,000 annually. That financial boost would help stations develop content, streamline operations, plan technology and infrastructure, and undertake other collaborative activities. The program would start in fiscal year 2015 at the earliest. By encouraging collaboration, CPB hopes to “unleash the potential of the network effect,” said Bruce Theriault, senior v.p. of radio, at the Public Radio Regional Organizations Super-Regional Meeting in New Orleans Nov.

Unleash TV grantmakers and creativity thrives

Ron Hull, a leader in Nebraska public television since the 1950s, recommends that CPB consider reinstating the semi-autonomy of its grantmakers in TV programming. That was how CPB’s Television Program Fund was set up in 1982 when he succeeded Lewis Freedman as the fund’s director. Hull bases this commentary on a chapter of his new book, Backstage: Stories from My Life in Public Television, published in October by the University of Nebraska Press. When CPB’s Television Program Fund began operating with a measure of autonomy, it inspired “an outpouring of heartfelt creative ideas from myriad producers, both independents and those at PBS stations,” Hull writes.  

During the 1980s I was the fortunate guy in the right place at the right time when the CPB Board appointed me director of the CPB Program Fund for public television.

Restructuring at WKYU cuts three jobs, merges radio and TV production

Three staff positions — including that of the television station manager — have been cut at WKYU at Western Kentucky University in Bowling Green. The lay-offs were part of a restructuring that prepares the dual licensee for a potential 10 percent reduction in federal funding. WKYU staff members who lost their jobs are Terry Reagan, development director; Linda Gerofsky, TV station manager; and Dorin Bobarnac, engineer. Thirty-one employees remain at the dual licensee. James Morgese, a veteran pubcaster who took over as director of educational telecommunications at the university earlier this month, told Current that the restructuring includes creation of a single content division and allows radio and television staff to collaborate in producing programs for radio, television and the web.