Decades ago, Karl Schmidt occupied himself by staging elaborate award-winning works of theater for radio broadcast. At 90, he’s still weaving compelling stories on the air, but he’s down to a troupe of just one actor — himself. Continue reading →
Posted: November 19, 2012
Ron Hull, a former director of the Program Fund, reflects on the value of buffer from partisan politics Jan. 2, 1979 — Robben Fleming, a university president and an authority on (labor) negotiations, comes to CPB as its third president. … Continue reading →
Having lost its digital projects fund last year, CPB lacks the money to develop the American Archive much further, according to Mark Erstling, senior v.p. The next step is to find an outside institution to adopt and support creation of … Continue reading →
… Friendly began toying with an idea for a permanent source of funding for noncommercial television. In the spring of 1966 he began considering the possibility that synchronous satellites might provide the magic potion for the fourth network…. Continue reading →
The plan was for a Public Television Act with no mention of dusty old radio. Not everyone signed on to the plan. Readers’ sympathies will be divided by this narrative adapted from Jack Mitchell’s new book, Listener Supported: The Culture … Continue reading →
The issue had been decided, Fletcher said. Congress would pass the Public Television Act and create the Corporation for Public Television. To bring radio in at that point, he concluded, would “change the scenario.” Continue reading →
Posted: December 13, 1999
When producer Robert Saudek died in 1998, his New York Times obituary called him “the alchemist-in-chief of what is often called the golden age of television.” From 1952 to 1961, the product of Saudek’s alchemy was Omnibus, a weekly that … Continue reading →