Posted: December, 18, 2012
By Ben Mook
From roughnecks to singing cowboys and itinerant knife dealers, North Dakota’s oil boom has lured thousands to remote areas of the state to find their fortunes, and in the process became a fertile source of stories for an immersive yearlong multimedia reporting project. Continue reading →
Posted: September, 10, 2012
By Andrew Lapin
Once thought to have been left for dead after the vaudeville era, variety shows have re-entered the public radio reinvention conversation — and it doesn’t take Guy Noir to find out why. Continue reading →
Posted: November, 16, 2012
By Andrew Lapin
From exploring underground tunnels to tracking the evolution of the Chicago accent, Curious City is an unconventional spin on community-based public media reporting. Continue reading →
Posted: February, 11, 2013
By Andrew Lapin
Sonic Trace seeks to record stories from southern California’s Latino immigrant communities, documenting the many and varied paths they take to get to the City of Angels. Continue reading →
Posted: February, 08, 2013
By Andrew Lapin
The latest public radio program to experiment with the big screen, NPR's fun-loving news quiz show Wait, Wait . . . Don't Tell Me! will be broadcast live across more than 600 movie theaters on May 2. The live movie-screen simulcast is becoming an increasingly popular tool for public radio. Continue reading →
Posted: February, 07, 2013
By Andrew Lapin
More than six weeks after first announcing his arts-and-culture radio program's exit from longtime distributor PRI, Jesse Thorn revealed the details of Bullseye's new partnership on his Tumblr account Feb. 7. Beginning in April, the program will be distributed through NPR, with no break in carriage after the program's relationship with PRI ends in late March. Continue reading →
Posted: February, 05, 2013
By Erica Sánchez-Vázquez
The educational system in the newly independent South Sudan is undergoing many changes, and WXXI’s Hélène Biandudi recently reported on them firsthand for broadcast and digital audiences of the Rochester, N.Y., station. Continue reading →
Posted: January, 30, 2013
By Mike Janssen
With Generation Putin: Young People and Change in the Former Soviet Union, a new hourlong public radio special, Public Radio Exchange and producers from Seattle-based Common Language Project take listeners to a places in Eastern Europe that they might never visit otherwise. Continue reading →
Posted: January, 28, 2013
By Mike Janssen
Decades ago, Karl Schmidt occupied himself by staging elaborate award-winning works of theater for radio broadcast. At 90, he’s still weaving compelling stories on the air, but he’s down to a troupe of just one actor — himself. Continue reading →Philadelphia’s WXPN began independent syndication of XPoNential Radio, its 24-hour stream of Triple A music programming, after NPR discontinued its service providing packaged HD Radio feeds to member stations. XPoNential Radio offers a blend of “blues, rock, world, folk and … Continue reading
The Public Radio Program Directors Association gave its 2012 Don Otto Award to audience researcher Peter Dominowski, who co-founded PRPD in 1987. PRPD bestowed the award Sept. 13 in Las Vegas, where it observed its 25th anniversary as an organization. … Continue reading
KPCC’s ambitious three-year, $10 million project to fortify its newsroom and serve more people of color has created an unintended casualty: The Los Angeles station lost the popular namesake of its top-rated morning news magazine, The Madeleine Brand Show, after changes that included a new co-host. Continue reading
An analysis prepared by Public Radio Capital recommends that the Salisbury University Foundation negotiate a deal with another pubcaster to operate its two Delmarva Public Radio outlets as music stations. Continue reading
The “Swing State Radio Network” launched by New York’s WNYC is returning for the upcoming presidential and vice-presidential debates. WNYC public affairs host Brian Lehrer will anchor pre-debate call-in shows that will air in New York as well as on … Continue reading
Now that Arbitron’s new ratings methodology is providing consistent and crunchable year-to-year data on radio listening, public radio programmers and producers are getting a clearer picture of listening trends — and it’s not a cheerful one. Cume and average–quarter-hour audience … Continue reading
An audit by the CPB Inspector General’s Office of Pundit Productions, the nonprofit that operated a public radio news bureau on Capitol Hill until its shutdown last fall, found violations of several CPB grant requirements and recommended that Pundit return … Continue reading