NPR cancels Talk of the Nation, pairs with WBUR in bid to bolster middays
Posted: April, 03, 2013
By Ben Mook and Mike Janssen
Posted: April, 03, 2013
By Ben Mook and Mike Janssen
Posted: April, 22, 2013
By Mike Janssen
Posted: May, 16, 2013
By Andrew Lapin
Posted: April, 18, 2013
By Mike Janssen
For more than 20 years, public radio has followed a winning formula that is often summarized as “super-serve the core.” That is, a station will be most successful with listeners if it picks a specific type of listener — the … Continue reading
NPR should have its journalists phase out any long-term contracts for appearances on other media outlets, monitor those appearances more carefully and make clearer distinctions between reporting, analysis and commentary in its programming, the network’s ethics-policy task force advised Feb. … Continue reading
After a four-show trial run last spring, Minnesota Public Radio is mounting another season of Wits, its concept for a next-generation stage-show broadcast pairing smart, literary humor with contemporary music and powered in part by social media. For the season’s … Continue reading
Low-power FM advocates are celebrating a hard-won victory with enactment of the Local Community Radio Act, approved in the last days of the 111th Congress and signed Jan. 4 by President Obama. The law clears the way for expansion of … Continue reading
Dave Edwards, g.m. of Milwaukee Public Radio (WUWM) for 25 years, who took over this month as chair of the NPR Board, announced a task force that will consider “how we serve the audience through radio programming as well as … Continue reading
Top NPR officials may have thought their Oct. 20 decision to dismiss veteran journalist Juan Williams was about journalistic objectivity, but to many outsiders it sounded more like a story of arrogant lefty political correctness. That narrative opened up public … Continue reading
A new study for NPR identifies a much bigger potential news audience that would listen to public radio if the field works to break down perceptions that its programs are elitist and stuffy. Producers would have to make shows that are more lively and conversational and promoters would have to take greater care when describing public radio as “intelligent” and “serious,” according to the Los Angeles-based firm SmithGeiger. Continue reading