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| Alphabet
soup A guide to the often-obscure initials and acronyms in public broadcasting and electronic media |
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| A-I ... J-Q ... R-Z Specialized glossaries | ||||
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| Alphabet
soup A-I A guide to the often-obscure initials and acronyms in public broadcasting and electronic media |
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| J-Q ... R-Z | ||||
| Updated
periodically by Current and the National Educational Telecommunications
Association. ABU: The Asia-Pacific Broadcasting Union is a regional association
of TV and radio networks formed in 1964 to help develop radio and television
in the territories and countries from the western end of Asia to the middle
of the Pacific. CPB pays annual fees for itself and other groups, giving
U.S. public broadcasters a passport to the world broadcasting community. ACCM: The American Center for Children and Media (formerly the
American Center for Children's Television), based at WTTW in Chicago,
works in TV and other media to encourage excellence in all media for young
people. The center holds seminars, workshops, screenings and competitions
to assist children's media professionals, facilitate collaboration with
experts abroad, develop guidelines and standards that recognize excellent
work and increase public awareness of high-quality media. The center originated
the American Children's Television Festival, which presented the Ollie
Awards every other year to the best children's shows. The award is named
after the dragon in the 1950s TV show Kukla, Fran & Ollie.
The first festival was held in 1985. The center was originally part of
the American Telecommunications Group (ATG), now dissolved. ACCT: American Center for Children's Television. See ACCM, above. ACE: The American Council on Education is one of the oldest and
most powerful of the trade associations representing colleges and universities.
ACE, formed in 1918, is the issue forum and lobbying locus for the heads
of institutions of higher education. AECT: The Association for Educational Communications and Technology
began in 1923 as the Department of Visual Instruction at the National
Education Association. Spun off in 1974, AECT is now a membership organization
that trains teachers, administrators, professors and others in the use
of instructional technology. AFI: Two years after President Lyndon B. Johnson signed the National
Arts and Humanities Act in 1965, the American Film Institute was established
by the National Endowment for the Arts to advance and preserve the art
of the "moving image" in film and television. AFI is based in
Los Angeles, but maintains theaters at the Kennedy Center in Washington,
D.C., and Silver Spring, Md., just outside Washington.
AFTRA: If a broadcast reporter or actor is "working for scale"
you can thank the American Federation of Television and Radio Artists,
the union of actors and on-air talent, founded in 1937. The group comprises
30 locals and 80,000 members who belong to the AFL-CIO. AIR: The Association of Independents in Radio represents independent
audio producers, who look to public radio as a major outlet for their
work and who provide some of its prize-winning content. AIR holds national
conferences for audio independents every other year; publishes a bimonthly
newsletter, AirSpace; and maintains an Online Producers Directory
on its web site. AIROS: American Indian Radio on Satellite has been the satellite service
that for distribution Native American programming to public radio stations,
including Native-controlled stations. The service, operated by Native
American Public Telecommunications (NAPT), is based at Nebraska Educational
Telecommunications, funded by CPB, and receives free satellite carriage
on the Public Radio Satellite System. CPB will switch the contract for this service to Koahnic Broadcasting Corp. in July 2006. AIT: The Agency for Instructional Technology (originally the Agency
for Instructional Television) is an American-Canadian company that
creates consortia of state and provincial agencies and public TV stations,
to develop, produce, buy and distribute instructional television programs
and other instructional materials. AIT also publishes a quarterly journal,
Technos, about education and technology, and is the home of Technos
Press. AIVF: The Association of Independent Video and Filmmakers is a
professional association for independent producers. In its first year—1975—AIVF
spearheaded the successful fight against a change in copyright laws that
would have allowed public schools to copy films and tapes at no charge.
Since 1978, the association has published The Independent Film &
Video Monthly. ALS: The PBS Adult Learning Service pioneered the widespread use of for-credit telecourses by colleges and universities, but it did not have the financial support to keep up with changing technology and it closed in 2005. ALTV: The Association of Local Television Stations was formed
in 1972 as the Association of Independent Television Stations (INTV) to
represent independent (non-network-affiliated) commercial TV stations.
It now represents Fox, UPN, WB and PaxNet affiliates as well as actual
independents. AMARC: The World Association of Community Radio Broadcasters (Association
mondiale des radiodiffuseurs communautaires) is an international group
that serves the community radio movement. The group believes the world
needs a "new information order based on more just and equitable exchanges
among peoples." AMARC has branch offices in South Africa, Ecuador
and Britain. AMPPR: The Association of Music Personnel in Public Radio, incorporated
in 1982, publishes a quarterly newsletter, Music Notes, and holds
the annual Music Personnel Conference for station music directors and
others who work with music programming in public radio. Annenberg/CPB Project: Funded by the Annenberg Foundation and
by fees for use of its materials, the Project develops video courses and
web materials for grade-school teacher training and operates the Annenberg/CPB
Channel satellite service. In earlier years, starting with its founding
in 1981, the project also developed college-credit telecourses for the
general learner. APS: see APT, below APT: American Public Television (formerly American Program Service)
acquires, sells and distributes programming—much of it "how-to"
programs and British imports—to public TV stations nationwide. APT
was created in 1980 as the Interregional Program Service by EEN (the Eastern
Educational Television Network), later was renamed American Program Service
and then American Public Television in 1999. It has become public television's
second largest national program acquisition and distribution system. APT
introduced Julia Child and the Three Tenors to national acclaim, distributes
Nightly Business Report and Sessions at West 54th among
other programs and is active in the international TV program marketplace. APTS: Association of Public Television Stations (formerly America's
Public Television Stations, with the same initials) is a national membership
organization that lobbies and undertakes planning/research projects in
the interests of the stations and noncommercial TV in general. Until APTS
was set up in 1980, the function was performed by PBS. APTS was known
in its early years as NAPTS, the National Association of Public
Television Stations. AQH: Average Quarter Hour audience is the average number of people in the audience during a 15-minute ratings survey period. The number, in thousands of people, is the basic ratings measurement in radio. ARA: Audience Research Analysis is a private consulting company
founded by onetime NPR research chief David Giovannoni, which is a leading
source of audience analysis and data, based in large part on Arbitron
ratings. ARA managed several major CPB-funded studies of public radio
audiences and offers Audigraphics audience data in chart form. ASCAP: American Society of Composers, Authors and Publishers,
one of the two big organizations of music copyright holders, founded in
1914. ASCAP collects royalties for composers, advocates for copyright
protection and negotiates industry-wide royalty rates. ATAS: The Academy of Television Arts & Sciences, founded in
1946 and based in the Los Angeles area, presents the annual primetime
Emmy awards, offers a series of events in its L.A. headquarters, and publishes
Emmy magazine. NATAS, a sister organization in New York, handles
news, daytime and sports programs and has chapters around the country. ATG: The American Telecommunications Group, which ceased operations in 2003, was an umbrella organization incorporating CEN, the Central Educational Network, a Des Plaines, Ill.-based nonprofit founded in 1967 as a regional network in the Midwest. The other three regionals were EEN, the Eastern Educational Television Network (no longer active as an association, it is now a program distributor, APT), Pacific Mountain Network (now a nonprofit venture capital source for public broadcasting but no longer a network) and the Southern Educational Communications Association (reborn in 1997 as a national organization, NETA). In its latter years under President James Fellows, CEN provided representation and other services for member public TV stations largely in the Midwest and Northeast. Other affiliated organizations in ATG include CPM (Continental Program Marketing), a program distributor; HETC, a group of stations licensed to universities; ACCM (American Center for Children and Media); the Hartford Gunn Institute, a planning and research unit; and the Benton Academy for Public Telecommunications, a professional training arm. ATSC: The Advanced Television Systems Committee is a broadcasters/manufacturers
industry association that documented the Grand Alliance digital TV system,
which the FCC adopted in 1996, and is still working to encourage and facilitate
the development of the family of ATSC specs for digital TV transmission.
The standard has become known as the ATSC standard, just as the original
U.S. standard is known as "NTSC" (see NTSC). ATSC worked with
the FCC's official Advisory Committee on Advanced Television Service,
which coordinated the selection criteria, system analysis, laboratory
and field testing and allocation parameters that were proposed by the
ATSC to the FCC. ATV: Advanced Television was the FCC's term for the range of new television transmission technologies (including HDTV) considered for establishment in this country, but the acronym has been superceded by DTV (digital television). [Current Briefing.] AWRT: American Women in Radio and Television is an organization
of women in broadcasting and allied fields established in 1951. AWC: The Association for Women in Communications, formerly WICI
(Women in Communications Inc.) is an old and respected advocacy group
for women in the media. AWC organizes the annual Clarion Awards competition.
Formed in 1909, it focuses on the journalism and public relations industries. BBC: The British Broadcasting Corp. is known in the U.S. primarily
as a supplier of quality public TV and radio programs. The BBC is the
largest production house in the world, annually turning out more than
5,200 hours of TV and radio programming. BBC Worldwide Americas, a profit-seeking
division that absorbed the separate syndicator Lionheart Television, sells
BBC programs in the Western Hemisphere. BDA: BDA International, the Broadcast Designers Association, is
an international organization formed in 1978 with members in the TV graphics,
animation, photography and effects industries. It organizes annual seminars
and design competitions, acts as an employment clearinghouse and awards
scholarships. BEA: The Broadcast Education Association, under the wing of the
National Association of Broadcasters, was established in 1955 to bring
professional broadcasters into the college classroom and arrange projects
putting communications professors into broadcasting environments. BMI: Broadcast Music Inc. is the younger of the two large organizations
(BMI was founded in 1940) that represent composers, music publishers and
other copyright holders. The other is ASCAP. BPME: Former name of Promax International, the Broadcast Promotion and Marketing Executives Association. See Promax. BTSC: The Broadcast Television Systems Committee developed the stereo sound system used today for TV in the United States. The system provides not only stereo sound but also a secondary audio program (SAP) channel and a low-quality communications channel for broadcasters' use. BTSC was a joint effort by the Electronics Industry Association (now the Consumer Electronics Association) and the NAB. CATs: The Community Advocate Teams of APTS consist of lay (non-staff) representatives of stations, volunteers and volunteer-staff liaison who educate Congress and support public TV's legislative agenda. CATs were formed in 1995 through collaboration between APTS and NFPB.
CBC: The Canadian Broadcasting Corp., created in 1936, is Canada's
publicly funded (but not strictly noncommercial) broadcaster, which operates
radio (noncommercial) and television (limited commercial) networks
in both English and French (SRC, Societe Radio Canada), as well as cable
networks and Canada's overseas broadcast voice, Radio Canada International.
CBC receives some $800 million in annual assistance from the Canadian
federal government. CC: Closed captioning provides visual captions for hearing-impaired viewers of television CEI: The Center for Education Initiatives was the education service
of the Illinois-based American Telecommunications Group (ATG), which ceased
operations in 2003. CEN: see ATG, above. CIPB: Citizens for Independent Public Broadcasting is a new independent
membership group "dedicated to putting the public back into public
broadcasting." Launched with foundation funding in November 1999,
CIPB favors independence for public broadcasting from corporate and government
influence. COFDM: Coded Orthogonal Frequency Domain Multiplexing is a modulation technology used for digital TV broadcasting in Europe. It is less susceptible to ghosting or multipath interference than early generations of U.S. DTV standard receivers using 8-VSB modulation. Some U.S. broadcasters, led by Sinclair Broadcast Group, have urged the FCC to permit the use of COFDM in addition to 8-VSB. See also VSB. CPB: The Corporation for Public Broadcasting is the nonprofit
corporation authorized by Congress in 1967 to develop noncommercial TV
and radio. The organization is in the difficult position of both upholding
the public interest as seen by Congress and insulating the public broadcasters
from undue interference by politicians. CPB funds public television and
radio stations directly with Community Service Grants, supports productivity
and revenue-development initiatives through its Future Fund, and assists
program production through its Radio and Television Program Funds. See
also Annenberg/CPB. CPM: Continental Program Marketing was a national program distributor for public TV that operated as part of the American Telecommunications Group. ATG phased out program services in 2003 before ceasing operations altogether. See ATG. CSG: The Community Service Grant is the basic operating support that stations receive from CPB. Derived from CPB's federal appropriation, it is one of the few station funding sources that is not earmarked for certain uses. It includes a flat base grant plus a variable "incentive grant" component based on the amount of nonfederal money raised by the station (NFFS). The base grant assures that small stations receive a substantial amount, and the incentive grant encourages stations to work on local fundraising. CSRG: The Community Station Resource Group is an informal "affinity
group" of large community-licensee (freestanding nonprofit) public
TV stations that came together in the mid-1990s, following the model of
public radio's Station Resource Group. In 1996, William Kobin, the former
president of KCET in Los Angeles, became a consultant representing the
stations' interests. The group is parallel to the earlier-formed Organization
of State Broadcasting Executives, which represents state-owned public
broadcasting organizations. CTW: Children's Television Workshop. See Sesame Workshop. CWEIS: The Community Wide Education and Information Services initiative (now discontinued) was launched in the early 1990s by CPB to encourage the development of local online networks involving public broadcasters and other community groups by providing partial funding. Pronounced "sea-weiss." DAB: Digital Audio Broadcasting is the next generation of radio, using digital instead of analog technology for transmission. DAB technologies include IBOC (in-band on-channel) transmission from terresrial stations and direct satellite broadcasting by companies such as XM and Sirius. DACS: Direct Access Communications System (pronounced "dax") is the acronym for electronic text messaging systems used by PBS and NPR between the early 1970s and the mid-1990s for distribution of internal schedules, memos, advisories and other messages between the stations and their national and regional organizations. In 1995 PBS replaced the DACS with PBS Express, based on newer computer technology. DBA: Public TV's Digital Broadcasting Alliance was formed in 1996 to further cooperation among the public TV stations planning to experiment with digital TV transmissions. Initial members were WETA, Washington, D.C.; KCTS, Seattle; and Oregon Public Broadcasting, Portland. WMVS, Milwaukee, and WGBH, Boston, joined later. DBS: The idea of Direct Broadcast Satellite was introduced with fanfare in the early 1980s and became reality in the 1990s. Three commercial services are now distributing a cable-like menu of TV channels nationwide. Subscribers use small satellite dishes to receive the signal from high-powered satellites. Similar audio-only services are offered by commercial operators such as XM and Sirius. DDS: Often confused with DBS, Direct Delivery by Satellite is the transmission of educational and instructional courses directly to schools and colleges using satellites and conventional dish antennas. DEI: The Development Exchange Inc., is a membership organization
that fosters effective fundraising in public radio and holds the annual
Public Radio Development/Marketing Conference every spring. It was founded
in 1982 as a spinoff of CPB's discontinued radio development activity,
and moved to Minneapolis in 1997. DMA: Designated Market Area is the geographic unit used in Nielsen Media Research television ratings. DOIT: Digital Opportunity Investment Trust, a federally endowed
fund for support of digital content production proposed by Lawrence Grossman
and Newton Minow in April 2001. DSL: Digital Subscriber Line is a recent technology that speeds up the transmission of data on an ordinary phone line, permitting broadband services to offices and homes within a short distance of a telephone company central office. DTV: Digital television. A catchall acronym for all the types of television broadcasting that use digital encoding and transmission. In the United States, DTV broadcasting began by a few stations in 1998. By the end of 2000, more than 160 stations were broadcasting digital signals, reaching more than 65 percent of U.S. households with TV. DVI: Descriptive Video Information is a generic term invented by PBS for DVS (see below).
Media Access Group at WGBH 125 Western Avenue Boston, MA 02134 access.wgbh.org Phone: 617-300-3600 (voice/TTY) EBU: The European Broadcasting Union, an association of public
service broadcasters formed in 1950, is the primary distributor of news
and sports programming in Western Europe, operating the 13-channel Eurovision
system. CPB's membership in the EBU gives U.S. public broadcasters an
entree to international broadcasting. EDISON: EDISON stood for Educational Information Service Online, a computer network for public broadcasters operated by CEN (Central Educational Network) until it was discontinued in 1995—one of many "dial-up" bulletin board services that have been superceded by the Internet. EEN: The Eastern Educational Television Network, the early interconnection of major public TV stations in the East, remains under a new name as the second largest program distributor in public TV. In the 1990s it was renamed APS and then APT. For years the organization served as one of the four major regional public TV networks (see CEN and APT listings) that provided regional representation and program acquisition and distribution services to their member stations. EEN was established in 1959 by Hartford Gunn, then president of WGBH-TV/FM, Boston, to provide interconnection and programs for northeastern stations. EIIG: The Earned Income Initiatives Group is an informal group of public TV stations that lobbied Congress and PBS in 1995-96 for changes in regulations to permit stations to increase revenues from quasi-commercial sources. The group included such major stations as Chicago's WTTW and St. Louis's KETC. EPG: An Electronic Program Guide on a cable system, a DBS service or in DTV permits a viewer to choose a program from a menu and be switched to the appropriate channel automatically. EPR: This association of public radio stations is the descendant
of Eastern Public Radio Network, formed in 1958 to distribute public radio
programming. With the advent of NPR's interconnection system in the late
1970s and the rise of American Public Radio as a distributor, EPR's national
importance declined. Member stations now turn to it for representation
and training and as an issue forum. EPS: Executive Program Services is a program distributor and consultancy for public TV founded by longtime programmers (and former PBS staffers) Alan Foster and Dick Hanratty, with offices in Alexandria, Va., and Bremerton, Wash.
eXploreRadio: A now-defunct partnership between NPR and Minnesota Public Radio that offered web services for public radio stations' websites in 1999-2000. See also the competing service, PI. FCC: The Communications Act of 1934 created the Federal Communications
Commission as an independent agency to regulate interstate communications.
The National Association of Educational Broadcasters persuaded the FCC
to reserve five radio channels nationwide for educational broadcasting
in 1938, paving the way in 1952 to reserve 242 local TV channels. FRP: Fundraising Programming is PBS's new term for its office
that provides pledge specials for public TV stations. The office was formerly
known as SIP. GPN: GPN, formed in 1962 as the Great Plains National Instructional Television
Library, was a major distributor of instructional media allied with public TV. It was a service agency of Nebraska Educational Telecommunications in Lincoln until 2006, when it was sold to Educate Inc., the owner of Sylvan Learning Centers.
GPN was co-producer of
Reading Rainbow with WNED-TV, Buffalo, NY. GRP: Gross Rating Points is a measure of the volume or raw "tonnage" of audience response to a program. Specifically, it's the sum of all the average quarter-hour (or sometimes average half-hour) ratings accumulated within a period. It reflects both the number of households that tune in (the "cume") and the frequency with which they watch. HDTV: High Definition Television will bring wide-screen, high-resolution pictures and multichannel, compact-disc-quality sound to broadcast TV. The pictures attempt to equal 35mm film in image quality. Analog HDTV systems were developed in the late 1970s by Japanese Broadcasting Corp. (NHK), and U.S. firms later developed digital systems, including the so-called Grand Alliance or ATSC system. The ATSC system encompasses 18 different picture formats, including six that deliver true HDTV, including 1920 x 1080 pixels (1080 lines) and 1280x720 pixels (720 lines). All six have 16:9 aspect ratios (ratio of width to height). The FCC adopted parts of that system as the national DTV transmission standard in 1996. HDTV is only one format that can be broadcast by DTV. See also SDTV. HETC: The Higher Education Telecommunications Consortium, operated by the now-defunct American Telecommunications Group (ATG),served as a meeting ground and action group to assist colleges and universities in their management of licensed telecommunications and radio operations. HTML: Hypertext Markup Language is a simple coding of text on a web page that displays it on a browser. When a user clicks on a coded hypertext link, it causes the browser to call up another specified web page. HUT: Homes Using Television is a measure of the percentage of households in a market or in the country using their TV sets at a given time of day. The HUT is approximately the sum of ratings of all the broadcasters in a given area. IAAIS: International Association of Audio Information Services,
formerly NAARS (National Association of Radio Reading Services), was founded
in 1977 for interaction among local radio reading services and other broadcast
offerings for the blind and print-handicapped. Its mission: "encourage
and support the establishment and maintenance of services which provide
access to printed information for individuals who cannot read conventional
print because of blindness or any other visual, physical or learning disability."
Most reading services broadcast over subcarriers of FM stations (often
public radio stations), which are picked up using special receivers. But
other reading services use SAP channels of TV signals and other transmission
media. The group's legal name is still NAARS. IBOC: In-Band On-Channel describes the technology chosen by the U.S. radio industry for digital radio broadcasting and proposed for FCC adoption as the national standard. The technology expedites the industry's transition to digital transmission by putting both the new digital signal and the old analog signal in the same spectrum — in the same AM or FM band and on the same channel. Digital TV, in contrast, will be transmitted on separate channels. IBS: The Intercollegiate Broadcasting System, formed in 1940,
is an association for noncommercial, student-staffed college radio stations. IMA: Integrated Media Association
is a group of public broadcasters interested in developing the Internet
and other new media as platforms for public service. IMA, which adopted
its name in 2003, was formerly PRISA (Public Radio Internet Service Alliance),
which had grown from an informal group of a dozen public radio stations
that began meeting in 1998. INPUT: INPUT is the annual international screening conference
for the exchange of program ideas among producers, programmers and others
involved in the making of good and innovative programming for public television.
INPUT brings together hundreds of professionals from dozens of countries
for frank discussions and screening of programs from around the world.
Aarhus, Denmark is the site of the May 2003 event. INTV: Association of Independent Television Stations, the old name of ALTV. ITC: Instructional Technology Council, an affiliate
of the American Association of Community Colleges, promotes college-level
distance education, tracks legislation and conducts professional development
training. ITC sponsors the annual Tel e-Learning conference. ITFS: Instructional Television Fixed Service is the FCC's name for a licensed service using multichannel microwave transmitters to distribute educational programming from one distribution point to several receiving locations, such as public school systems, businesses and other institutions. Many universities, schools and other ITFS operators help support their service by leasing out some of their channels to commercial "wireless cable" operators, known to the FCC as MMDS (Multichannel Multipoint Distribution Service) operators. ITS: International Telecommunications Services Inc. distributes
instructional programming to public radio and TV stations and educational
institutions. ITVA: The International Television Association has been renamed Media Communications Association. See MCA. ITVS: The Independent Television Service is a production-funding
and distribution mechanism that supports the work of independent film
and video makers on public television. Created in 1988 in response to
a congressional directive to CPB, and funded by CPB, ITVS is committed
to increasing public TV's diversity, innovation and programming for underserved
audiences. ITVS was headquartered at first in Twin Cities and moved to
San Francisco in 1997.
Audience research, radio, compiled by Radio Research Consortium. Audience
research, television, and other media terms, Nielsen Media
Research Audience research, TV, compiled by TRAC Media Services. Digital TV, glossaries compiled by PBS and CPB (PDF file). Outreach, compiled by National Center for Outreach. Public radio (PDF), from NPR Station Manager's Handbook Public Radio Satellite System, compiled by PRSS Streaming media, compiled by Streaming Media Inc. Telecommunications, compiled by the FCC
| J-Q | R-Z | Current Online home page | Web page revised
Oct. 3, 2005 |
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