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| Alphabet
soup J-Q A guide to the often-obscure initials and acronyms in public broadcasting and electronic media |
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| A-I...J-Q...R-Z | |
| Note to users
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Kidsnet: Kidsnet, a nonprofit, subscription clearinghouse launched
in 1986, maintains detailed computerized information on children's programs
and public service announcements that have appeared on public and commercial
TV, radio and cable. Kidsnet's primary subscribers are state education
agencies, libraries and public broadcasting entities. LAG: Legislative Advisory Group, a committee of public TV station executives that advises APTS on legislative matters. Previously and unfortunately known as SLAG (Station Legislative Advisory Group). See APTS. Lark: Lark International, a program development collaboration
among public TV stations, was founded in 1992 by WTVS in Detroit and KCTS
in Seattle, and expanded in 1996 to include KUHT in Houston and KETC in
St. Louis. It develops international projects in financing, developing
and distributing video and film projects for all media. LInCS: Local Independents Collaborating with Stations is a grant
program operated by ITVS. Matching grants of up to $65,000 are awarded
to assist production partnerships between public TV stations and independent
producers. Successor to SIPP. LPB: Latino Public Broadcasting was selected in a 1999 competition
to serve as the CPB-funded minority consortium representing Latino producers
and audiences. It supports production and distribution for public TV programs
by and about Hispanic Americans. The project succeeds the National Latino
Communications Center (NLCC), which lost CPB aid the previous year after
financial problems surfaced. Mbps: Megabits per second, or millions of bits per second, is a measure of transmission capacity or data flow for digital media. A digital TV channel, for example, carries 19.4 Mbps of information, including images, sounds and other data. A relatively large digital line leased by many stations from a phone company, the T-1 line, carries 1.54 Mbps. An ordinary computer modem is so much slower that it's measured in kilobits per second—56 kbps. MCA: Media Communications Association, formerly International
Television Association, is a worldwide organization of visual communications
practitioners including corporate and industrial nonbroadcast video professionals.
It keeps tabs on the most recent production techniques and hardware. MHz: Megahertz — one is equal to 1 million Hertz (cycles per second) or 1,000 KHz — is the measure used to indicate the frequency of an FM or TV channel. The bandwidth of a channel, from the top frequency to the bottom, is also measured in megahertz. A TV channel is 6 MHz wide. MIFED: The Italian acronym for Mercato Internazionale del Film
e del Documentario, MIFED is one of the larger international film and
TV program marketplaces, scheduled each fall in Italy. MIP-TV: MIP-TV is the French acronym for Marche International
des Programmes de Television, the large international programming festival
and marketplace scheduled every spring in Cannes, France. The related
MIPCOM Market—the Marche International des Films et des Programmes
pour la TV, la Video, le Cable et les Satellites—is held annually
in the fall. MPEG: Motion Pictures Expert Group is an international standards-setting body that has specified standards for digital audio and video recording, among other things. MP3 is the most famous audio standard specified by the organization. MSA: Metro Survey Area is Arbitron's geographic survey area for radio ratings that corresponds with local governmental boundaries. MSA + non-metro counties = TSA (Total Survey Area), according to RRC. NAATA: The National Asian American Telecommunications Association,
founded in 1980, produces, acquires and distributes Asian American programming
for radio and TV. It is one of five minority production groups funded
by CPB. NARRS: The National Association of Radio Reading Services changed its name in 1999 to the International Association of Audio Information Services. See IAAIS. NABIPB: The National Association of Blacks in Public Broadcasting
(formerly Blacks in Public Radio) was organized in 1987 by a group of
station managers, producers and others to represent the interests and
perspectives of blacks in public radio. BIPB identifies issues, shares
information about national programming and policy decisions and promotes
members' points of view to public broadcasting. NAB: The National Association of Broadcasters is the television
and radio industry's primary lobbying and trade organization. It largely
represents the interests of commercial broadcasting, though 400 of its
6,000 members are public broadcasting organizations. NAEB: The National Association of Educational Broadcasters, no longer in existence, began in 1925 as ACUBS, the Association of College and University Broadcasting Stations, which represented a few small stations. It developed the major national educational radio and TV program distribution systems, superceded by NPR and PBS in the 1970s, and it was instrumental in gaining federal support for the field. Until it folded in 1981, NAEB was public broadcasting's primary professional association. Current, the biweekly newspaper that covers public broadcasting, was launched in NAEB's last days and resumed publication in 1982 under separate auspices. NABA: The North American Broadcasters Association was formed in
1978 to represent Canadian, U.S. and Mexican broadcasters at gatherings
of international broadcast organizations. CPB pays annual fees for itself
and other groups, giving public broadcasters in the U.S. a passport to
international broadcasting. (NABA was formerly known as NANBA,
North American National Broadcasters Association.) NANBA: See NABA above. NAPT: Native American Public Telecommunications, Inc., formed
in 1977 to promote, produce and distribute Native American TV and radio
programming, is one of five minority production and distribution groups
now funded by CPB. Formerly known as Native American Public Broadcasting
Consortium (NAPBC), the organization has done most of its work in TV,
but it was the original producer of the public radio talk show, Native
America Calling. NARAS: The National Academy of Recording Arts & Sciences,
also known as the Recording Academy, was established in 1957 and includes
more than 13,000 musicians, producers and other recording professionals.
It sponsors the Grammy Awards and numerous outreach, professional development,
cultural enrichment and human services projects. NASBE: The National Association of State Boards of Education is
the lobbying group for the heads of state boards of education. NATAS: The 40-year-old National Academy of Television Arts and
Sciences is the New York City-based organization that awards Emmys in
the categories of public service, news and documentaries, engineering,
sports and daytime programs. Seventeen chapters hold Emmy competitions
in major cities and regions. NATAS also publishes Television Quarterly
magazine. The Los Angeles-based sister organization, ATAS (Academy
of Television Arts and Sciences), presents the primetime Emmys. NATPE: The National Association of Television Program Executives,
a 1,700-member group of programmers (most in commercial TV), was formed
in 1962. Its annual program conference is the largest marketplace for
syndicated TV programming. NBPC: The National Black Programming Consortium supports the development,
production and distribution of educationally and culturally specific television
and film programs by and about Africans/African Americans. NBPC presents
the Prized Pieces Awards and provides assistance to independent producers
by serving as a fiscal agent and identifying funding sources. It is one
of five minority consortia funded by CPB. NBPC, which has relocated to
Harlem, also has an office in Pittsburgh. NCI: The National Captioning Institute is a nonprofit corporation
established in 1979 and supported by contracts with the Department of
Education and TV producers. NCI has popularized the PBS-developed closed
captioning system for hearing-impaired viewers and created captioning
for many national productions. The WGBH Caption Center had earlier popularized
open captioning (which all viewers can see) and it since has become a
major competitor of NCI in providing closed captions (which can be seen
only with special captioning decoders). The FCC required that all TV sets
made since 1992 with 13-inch or larger screens must include captioning
decoders. Under the FCC standard, broadcasters encode the captioning data
on line 21 of the TV signal's vertical blanking interval. The new DTV
system also includes closed captioning capability. NCO: National Center for Outreach was selected for CPB funding
in 2000 to strengthen public TV's outreach efforts, both on the local
and national levels. The center, based at Wisconsin Public Television,
distributes grants, provides training and facilitates communication among
outreach managers at stations across the country. NCTA: The National Cable Television Association, cable TV's lobbying
group, steered the Cable Communications Policy Act of 1984 through Congress. NEA: The National Endowment for the Arts is a federal agency created
in 1965 to support American arts and artists. Another NEA, the National
Education Association, is the 2.5 million-member teachers' union. NEH: The National Endowment for the Humanities is a federal agency
created in 1965 to support research, education and public activity in
the humanities. NETA: The National Educational Telecommunications
Association was organized in July 1997 by members of Southern Educational
Communications Association (SECA) and the Pacific Mountain Network (PMN).
NETA provides representation, program acquisition and distribution, and
professional development services to member stations and educational institutions
across the country. NETA operates NETA Educational Resources (formerly
EPS) and the National ITV Satellite Schedule (NISS) and provides staff
for the Organization of State Broadcasting Executives (OSBE), the Public
Broadcasting Management Association (PBMA), the Small Station Association,
the National Forum for Public Television Executives and APTS. It also
works closely with the Satellite Educational Resources Consortium (SERC).
The predecessor organization, SECA, was founded in 1967 and was the largest
of the four major regional public TV associations (see CEN listing). NFCB: The National Federation of Community Broadcasters was organized
in 1975 to represent community radio stations—generally low-budget,
locally oriented and eclectic in programming. In 1995, the federation
moved its national office from Washington, D.C., to San Francisco, and
in December 2002 it moved across the Bay to Oakland. NFFS: Nonfederal financial support is CPB's term for the portion of a public broadcasting station's income that is eligible to be matched by federal aid — CPB's Community Service Grants (CSGs). For every dollar contributed by CPB, several come from nonfederal sources such as audience contributions, underwriting grants and state aid. NFPB: National Friends of Public Broadcasting, the association
of volunteers at public broadcasting stations, was founded with a Carnegie
Foundation grant in 1970 to promote volunteerism in public TV. NFPB, now
self-supporting, advises stations on how to organize volunteer fundraising
programs and is a resource for local volunteer groups. NICEM: The National Information Center for Educational Media maintains
an international database of information about educational media materials.
The 590,000 entries represent all academic areas, age levels and media
types. The database is available to libraries, media centers, producers
and distributors, training directors and others who need information on
CD-ROM, online or in print. The center was established by the University
of Southern California and is now owned by Access Innovations. NISS: The National ITV Satellite Schedule distributes frequently
used classroom video materials to public TV stations and schools across
the country. The partnership, managed by NETA, was created in 1979 by
PBS, CEN, PMN and SECA (now NETA). NITV: The nonprofit Network for Instructional Television helps
education and related agencies establish, develop and promote instructional
television fixed service (ITFS) and other education technologies. NLCC: The National Latino Communications Center (formerly referred to as the Latino Consortium) was one of the five minority program production and distribution groups funded by CPB. In 1999 it was replaced by the Latino Public Broadcasting Project. See LPBP. NPPAG: The National Program Production and Acquisition Grants are smaller amounts that CPB pays annually to qualified public radio stations in addition to their Community Service Grants. When CPB discontinued direct funding of NPR in 1986-87, it put the money into NPPAGs, whichare intended to be spent for national programming. Much of the money ends up at NPR, but stations are free to spend it for other syndicated programming. NPR: National Public Radio, incorporated in 1970, is the principal
national producer and distributor of news programming for public radio
stations. NPR also distributes independently produced programming, operates
public radio's satellite interconnection system and is public radio's
primary lobbying group in Washington, D.C.
NTIA: An agency of the Department of Commerce, the National Telecommunications
and Information Administration advises the president on communications
and information policy. It also administers several grant programs, including
the Public Telecommunications Facilities Program (see PTFP). NTSC: The National Television Standards Committee developed the black-and-white TV broadcast system that was adopted by the FCC in 1942. The committee was convened again in 1950 to develop a color TV standard, which the FCC adopted in 1953 and which was compatible with broadcasts using the original black-and-white standard. NTSC is an analog transmission system that uses 525 scanning lines, broadcasting 30 complete frames per second. (The image is interlaced: each frame is transmitted in two separate scans, 1/60th of a second apiece, each scan including every other line of the picture.) The picture is modulated using an amplitude modulated vestigial sideband scheme, and the sound is sent by FM technology. Picture and sound together occupy a channel of 6 MHz bandwidth. OSBE: The Organization of State Broadcasting Executives is an
interstate collaboration of chief executive officers of state public broadcasting
networks and directors of commissions and authorities with statewide public
broadcasting responsibilities. OSBE includes representatives from 30 states,
which operate two-thirds of the public broadcasting stations in the United
States. NETA acts as secretariat for OSBE. Pacifica Foundation: Pacifica operates five public radio stations
in Berkeley, Los Angeles, Houston, Washington and New York City. Known for its progressive politics, Pacifica put its first station on-air in Berkeley in 1949 and soon invented
"listener support" with on-air fund drives. PacRim: The Pacific Rim Co-Production Association, no longer active, was a group of Asian, Australian, New Zealand, Canadian and U.S. public TV organizations that worked together in various groupings on co-productions. PBMA: The Public Broadcasting Management Association is an association
of financial, human resources, legal, information systems and administrative
managers of public TV and radio stations. When founded in 1979 (as the
Public Telecommunications Financial Management Association), most members
were financial managers. The association's affairs are managed by NETA. PBS: The Public Broadcasting Service was formed in 1969 to distribute
public TV programming nationally. PBS operates these program distribution
services: NPS (National Program Service), SIP (Station Independence Program,
for fundraising specials), ALS (Adult Learning Service, for college telecourses),
PBS Select (individually syndicated programs) and PBS Plus (fully underwritten
programs). PBS also manages the public TV satellite interconnection system
used by most distributors of programming for public TV stations. In new
media, PBS operates PBS Video (videocassettes for schools and colleges),
PBS Home Video (in collaboration with Turner Home Entertainment) and PBS
Online. PBS Express: This internal messaging system, operated by PBS, allows for flexible text communications among public TV stations and related organizations. The system, which replaced DACS in 1996, was to be transmitted over a closed-circuit satellite network, but since the failure of Telstar 401 in 1997, it has been on the Internet. The system is based on First Class software with a graphical user interface. PI: The most common usage at stations is "public information,"
referring to station spokespersons. But in 1999 web entrepreneur Tom Lix
and PRI created Public Interactive, a partnership that syndicates web
services to public radio stations' web sites. Early features included
Public Arts, Public Conversation and Public NewsRoom. PIC: Pacific Islanders in Communications was established to increase
public broadcasting programming by and about indigenous Pacific Islanders.
It provides media funds, training and outreach programs. PIC is one of
five minority consortia funded by CPB. PMN: Pacific Mountain Network, once one of four regional public
TV networks (see CEN listing), ceased operations as an association of
station licensees in 1997. However, it still exists as a corporation.
NETA and CEN welcomed PMN's former member stations. PMN was formed in
1978 and sponsored FirstView, a yearly screening of new instructional
TV programs. It helped form the Television Ratings Analysis Consortium,
now an independent audience data analysis company (see TRAC Media Services). PMN TRAC: This was the name of TRAC Media Services when it was associated with PMN. P.O.V. Named for the movie-industry acronym for "point
of view," this continuing series is assembled by the American Documentary
Inc. and distributed by PBS. It serves as a summer showcase for independent
nonfiction films. PRADO: The Public Radio Association of Development Officers, a
membership organization of development professionals in public radio,
provides mentoring and idea-sharing opportunities, bestows awards, promotes
communication with colleagues and welcomes newcomers to the field. PRC: The Public Radio Conference was public radio's major annual gathering, with a focus on management issues. In its later years much of the discussion of programming topics moved to the fall conference sponsored by the Public Radio Program Directors Association (see PRPD). The first Public Radio Conference, held in 1971, was sponsored by NPR and CPB. NPR staged the last PRC in 2003, and the success of that conference spawned the Public Radio Leadership Forum, a stripped-down gathering organized by all of public radio's membership groups scheduled to debut in 2004. PRC: Public Radio Capital is a nonprofit company created to fiind
financing for the expansion of public radio. Created by Station Resources
Group (SRG) in 2000-2001, PRC serves as broker for purchase of stations
and facilitator for borrowing through the sale of tax-exempt bonds. PRG: The Program Resources Group, which began in the summer of
1992, is an ad hoc program service run by a number of public TV stations
whose broadcast
areas overlap with those of other public TV outlets. Now based at WNET/WLIW
in New York, PRG organizes group buys of syndicated and imported shows
to give those stations
exclusive,
unduplicated programming. PRI: Public Radio International, formerly American Public Radio,
was created in 1982 when Minnesota Public Radio (MPR) President William
Kling and four public radio stations — WNYC-AM/FM, New York; WGUC-FM,
Cincinnati; KQED-FM, San Francisco; and KUSC-FM, Los Angeles — established
a network to distribute cultural programs produced by stations. The network
distributes an extensive line-up of music and public affairs programming
to hundreds of affiliate stations, most of which are also NPR members.
Notable programs include A Prairie Home Companion, Whad'Ya Know? and
Marketplace. PRI plans to increase its own role in production,
and is the major force behind the international news program The World. PRIMA: Public Radio in Mid-America, founded in 1975, is the largest
of the regional groups of public radio stations. PRIMA represents member
stations to NPR and other Washington organizations. PRISA: The Public Radio Internet Service Alliance, established in 1998, changed its name to the Integrated Media Association in 2003. See IMA. PRNDI: Public Radio News Directors Inc. was organized to articulate
the concerns of public radio journalists. It publishes a newsletter, bestows
awards and holds an annual conference. PRO: Public Radio Online was Minnesota Public Radio's service that developed and syndicated the Radio Scout search tool for public radio stations' web sites. PRO was announced in 1998 and effectively merged into eXploreRadio, a collaboration with NPR that was unveiled the next year. Promax International: The nonprofit organization in advertising,
promotion and marketing for the electronic media was formerly known as
BPME (Broadcast Promotion and Marketing Executives). It was formed in
1956 as the Broadcast Promotion Association. Promax holds its annual conference
in conjunction with the Broadcast Designers Association. PRPD: Until the Public Radio Program Directors organized in 1985,
programmers at public stations had no single voice or forum. PRPD serves
public radio stations with programming information, training and consulting
services. Its annual conference in the fall is one of the largest in public
broadcasting. PRSS: Managed by NPR Distribution, the Public Radio Satellite System (PRSS)
is the distribution network through which programming is delivered every year to
public radio stations throughout the United States. The PRSS includes multiple
uplinks, more than 400 downlinks, and more than 250 program producers and
distributors.
PRX: See Public Radio Exchange. PTFMA: See PBMA. PTOA: The Public Television Outreach Alliance, which operated between 1987 and 2000, has been succeeded by NCO (see above). PTFP: The Public Telecommunications Facilities Program, a grant
program operated by NTIA in the U.S. Department of Commerce, is a major
source of matching grants for the purchase of broadcast equipment by public
TV and radio stations. PTPA: Public Television Programmers Association is an individual-member
association of public television station executives directly involved
in acquisition and scheduling of programs at public television stations.
The association was launched by TRAC Media Services and shares quarters
with TRAC. PRX: The Public Radio Exchange is a web-based program distributor
developed by SRG and Jay Allison's Atlantic Public Media to bring together
independent radio producers, producers at public radio stations, station
programmers and other distributors for critiques of work, auditioning
of audio work and distribution. PUR and PUT: Persons Using Radio and Persons Using Television are measures of the general level of the radio or TV audience at a given time in a market. See also HUT.
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